Or is that “forget you?” I can’t seem to completely recall what Cee-Lo’s original artistic intent was. What statement it was he was trying to make. If, like Gwyneth Paltrow (whose taste in men is eternally a question in my mind (Chris Martin? Really?)) she was mildly upset because the guy he was with left her for a richer girl or if he was livid that the girl he loved was a gold digger.
That’s what our PG culture is forcing on us: Aristotle’s philosophy of no extremes. Something isn’t god damn terrible, it’s just damn terrible. Someone makes someone angry, we can’t shout “fuck you” so we croon “forget you.” I understand that parents don’t want their children exposed to foul language, but is it really that bad?
Phillip Seymour Hoffman’s character in Pirate Radio (a fine film, I recommend it if you get a chance), moments before saying “fuck” on the radio for the first time in the history of the medium, says:
“If you shoot a bullet, someone dies.
When you drop a bomb, many die.
If you hit a woman, love dies.
But if you say the "F" word, nothing really happens."
Isn’t that the truth? If, as a society, we ran around screaming “fuck” at each other instead of a polite version thereof, would the meaning change? If we’re upset at something dumb we did, like stubbing our toe, does it matter if we lament our “foul-up” versus our “fuck-up?”
What an ugly mufflefluffle!
In my opinion, actually, no, in proven scientific fact and pure common sense, language is the way by which we humans convey an intended message. If the intended message is foul, then the language doesn’t matter. If you tell someone to “eat shit and die” versus “go jump off a bridge,” isn’t the intention and outcome the same (though one certainly less palatable than the other)? Either way, the person, should they heed your advice, will leave your presence and expire shortly thereafter.
By just the addition of that solitary word, we seem to have somehow rendered unto them a terrible insult of exponentially greater harm than “jumping off a bridge.” Why, because shit tastes bad?
And while you play through that little thought experiment on language, intention and societal morality, let me digress to the original topic: why Glee makes me nauseous (or fucking sick (your choice)).
Glee has become popular. Not just popular, but a zeitgeist. At the MegaLoVideoMart I work at, we sell Glee pins and keychains next to a full line of Bandz, SillyBandz and DandyBandz. When something becomes as popular as Bandz, we know it’s really something. For the life of me, I can’t understand why.
Part of me, I suppose, understands that a lot of the characters (and actors?) are homosexual and this provides a sort of hope for homosexual high school students that are seeing their darkest days. Beyond that, however, I can’t see that Glee is making a whole hell of a lot of difference to anyone.
They render unimpressive covers of fantastic songs in the context of a high school glee club. Cee-Lo’s “Fuck You” stands as one of the best songs of the summer. Now, it’s Gwyneth Paltrow’s “Forget You” about the entirely improbable situation where a woman gets left for a richer woman.
Instead of creating anything meaningful, something of artistic integrity with message and purpose, they bastardize other people’s thoughts and emotions and neatly package it as something a bunch of mouth breathers can easily digest between King of Queens reruns and microwaving popcorn.
What an obese buffoon! His father-in-law is an angry old man! His wife, improbably hot!
And they’re loved for it.
And I don’t understand why. In this musical climate, where I think some of the finest music in the past 20 years is being produced and distributed at a breakneck pace, Broken Social Scene is getting no press time and yet Matt Morrison is on the cover of every magazine in print.
What does Matt Morrison do? He’s a marginal actor that can sing other people’s songs and read other people’s words with incredible clarity. That is all. Well, he’s handsome and wealthy, too, which instantly puts him a few pegs above us regular people.
Wait a second: Matt Morrison is better than Broken Social Scene because he’s richer and better looking? Now ain't that some shit?