Instead of buying NEW cds, I tried to listen to some old ones that are awesome! It's a stretch, I know, but I wanted to try to tie this (somehow) to being green. I think I did pretty well, in that regards.
None are worthy of it's greatness.
Not only did it spawn some massive hits here in the U.S., it endures as the lasting impression of The Smashing Pumpkins. You say Smashing Pumpkins, nobody says "Oh, the guys that did Ava Adore" or "Man, Pissant is a killer tune." No no, quite the opposite; "There the guys with that song about the world being a vampire" or "Yeah, that Tonight, Tonight song, right?"
Guess what, folks! Those killer tracks are from Mellon Collie and the Infinite Sadness, released in 1995. The best part of the whole thing is that those are the mediocre songs on the album. People talk about albums that "bend genres". This album has no genre. It goes from the lilting synth-pop of "We Only Come Out at Night" and "Lily (My One And Only) to the balls-to-the-wall straightforward rock of "Zero" and "An Ode To No-One".
Cleverly divided into a double disc ("Dawn To Dusk" and "Twilight to Starlight") the album delivers on the divisive premise. "Dawn To Dusk", the first cd, features some of the harder rockers and several of the more popular songs such as Zero and Bullet With Butterfly Wings. That disc closes with a mellow number penned by guitarist James Iha. Which seems to set the tone for the second disc.
"Twilight To Starlight" opens with a rocker, "Where Boys Fear To Tread" to carry over the themes from the first disc. But by the third track, "Thirty-Three", it's clear that this disc is more emotive and lyrical than the brash and angry rock of the first disc. It's on this disc where I heard my first "acoustic" song, "Stumbleine". Which is still, by far, my favorite song on the album and high in the ranking of my favorite songs of all time.
The entire CD, when I listened to it as a brooding teenager, was raging, depressing and raucous. Looking back on it, now, as a young man, I find it more expressive of feelings of loss and change while still being expressive of the anger and sadness of teenage-dom.