First, we'll start with the cover art:
It starts off with the usual Devendra~patented melodic folk and by track four, Seahorse, it sounds as if it will continue that way. Until about two minutes in, when a cymbal crashes and the time changes to a jazzy 5/4. Anyone who plays an instrument knows that 5/4 is a royal dickpain, but these guys pull it off as only Dave Brubeck had before them. The jazz bit builds into an impressive climax, when out of a split second dead silence comes a pretty biting guitar riff (no longer in 5/4). The jazz and folk of earlier are left behind for what sounds like mid-90's Altrock mixed with the guitar lessons of the 1970's. And throughout this entire musical voyage, Devendra's cerebral lyrics violate the space between your ears.
And that's just one song! I could do that for each and every song. But, I'll just do highlights. Such as track 7, Shabop Shalom. Which starts with a spoken word story about a boy falling in love with the rabbi's daughter. After concluding that "Just to think, this could all be with a frenectomy and a few words of love." Immediately after the "ve" sound is complete, there's a hit on the snare and a doo-wopesque Jewish love song starts. With such classic lines as "My sweet Tel-Avivian lamb's bread, my heart will act as an emollient" and "Your sweet supple breasts are golden ghettos. Soft statues in stilletos. Two wisemen instead of three. Bearing gifts just for me." He goes on to claim he wrote the Dead Sea Scrolls for his love. It's not only retardedly funny, sometimes, when you don't notice how comical it is, it's actually a pretty good love song.
The next song, Tonada Yanomaminsita has equally strange lyrics, i.e. "In 1902, the devil sucked off the moon. Please hold me, just hold me." Devendra brings the funk a few tracks later, titled Lover. A classic, punchy bass line and the slightly distorted, open chord guitar give this song a definitely funky vibe. The lyrics, again, are simply ridiculous. "You'll never have to ask, I'll give you my sweet grass. I'm gonna mesmerize your ass. Just give me my first chance, it's gonna be the last. I'm gonna make you wanna stay."
The song immediately following Lover is Carmensita. Carmensita makes Santana look like a schmuck. Well, like more of a schmuck. This song is an incredible feat of Latin rhythm and decent guitarwork. The lyrics, sung entirely in spanish, make absolutely no sense, i.e.: "Oh, your eyes they're colored blue and orangish. Yellow, green and brown. My love covered by your heart.
Do not release it please." However, for the english speaking world, it's pretty catchy.
If those examples don't make you want to buy the album, then maybe I'm not doing a good enough job. Maybe the music will speak for itself.